9 Share Tweet Portraits by L’œil d'Eos taken with the LomoChrome Metropolis 35 mm ISO 100-400 film It will produce stark color shifts and muted tones with #Nofilter needed. Where are you seeing it for $25/roll?! For the second roll, I decided to shoot 120 format in my Bronica ETRSi, mainly to see what differences there were with the 35mm film. For this last roll, I went overboard and basically said “fixed speed ratings are overrated”. 2 x Lomography Lomo LomoChrome Metropolis 100-400 ISO 35mm 36exp Color Film - US. It describes a film were the colours are automaticall determined by the subject, not the photographer (handcoloured) or some process by the manufacturer (fun-/effect-films). I have a role of ‘purple 120’ currently loaded in my Bronica but this is really tempting me to get some of the film and experiment. Like LomoChrome Purple and LomoChrome Turquoise, the goal of Metropolis isn’t trying to achieve accurate color. The LomoChrome Metropolis XR 100–400 Colour Negative Film is a big surprise to all analogue lovers! VHS, S-VHS, VHS-C, Hi-8, Digital 8, Mini DV. The film is a color negative film C-41 processable, with an ISO range of 100–400 ISO. Lomography Metropolis 110 has been carefully crafted to produce desaturated, high-contrast photos - finetuned to mimic the aesthetic of old-time movie theatres and photobooks - and very different from the other colour negative films available to buy today. Lomography’s Metropolis project feels like a mix of innovation and improvisation with plenty room left for simple fun. It stands for “eXtended Range” and means that the films can be exposed at different speeds to get different results without changing the development process. 😉. I also chose to shoot it at EI 400 so that it would be easier to shoot the bulky Bronica without any tripod. Free shipping. I personally find that the best results are obtained in low light or grey conditions because I look to get that dramatic effect more than the sepia effect I discovered. Please note that this film has a very notoceable grain, even exposing properly, the lowlights will have a very noticeable gran, and night photography is nearly impossible unless you use an grain reduction tool on postproduction (I did and once you reduce the grain, the results using the streetlights or any form of artificial lighting are outstanding, this film loves tungsten and fluorescent color temperatures). Written by Maxime Evangelista and published on October 16, 2020April 8, 2020. Now I mostly use analog, I fell in love with the different effects, grain and the endless possibilities it gives! Thoughts and musings on film photography. Explore experimental development techniques, pushing and pulling film, cross processing, red scale photography and much, much more here. EMULSIVE is a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography. To put summarize this film in a few bullet points: I have yet to try a full portrait session with the film and to try shooting it at EI100 but it could well become my go-to color negative film in the future. I have a few rolls that I plan on printing. Also, don’t let the “Chrome” suffix disturb you: LomoChrome Metropolis is as a color negative film and uses the regular C-41 process. View all photographs taken by EMULSIVE on 65mm large format IMAX film. The LomoChrome Metropolis is built …  These were all shot at 200sio which is our favorite for LomoChrome purple & Metropolis. In 2019 Lomography announced the launch of a Kickstarter campaign to fund a brand new film emulsion: LomoChrome Metropolis XR100-400. The Lomography Simple Use Film Camera is no ordinary disposable camera — it’s preloaded with funky film and comes with Color Gel flash filters so that you can dive right into the world of … The Kickstarter sparked my curiosity to shoot this film but I was afraid that the effect would be “too much” and that, like LomoChrome Purple, I wouldn’t want to shoot it very often. From shutter speed testers to large format cameras, we’ve got you covered. The variable rating definitely helped my shooting experience with this type of changing weather and location. Analogue Made Easy: Lomography’s Simple Use Film Camera is preloaded with film so you can start shooting straight away – it’s perfect for beginners! Finally, even in sunlight, it gives this warm desaturated image. At the heart of EMULSIVE is the concept of helping promote the transfer of knowledge across the film photography community. Features Analogue Made Easy Lomography’s Simple Use Reloadable Film Camera is preloaded with film so you can … My first impression was that what I obtained was not really like what I saw on the Kickstarter video. all locked down. Preloaded with the unique LomoChrome Metropolis film, this disposable camera is perfect for beginners and can be reloaded with any 35 mm film! It comes in 35 mm (also available in bulk rolls for DIY handspooling) and 120 formats. Your email will not be published. overexpose by 2 stops or more. During the holidays I shot various street and landscape scenes to see how this emulsion reacted. I found that most images were over-exposed but that the result was definitely interesting. Over the summer Lomography announced they were Kickstarting their first new color film in more than five years, called LomoChrome Metropolis R 100-400. For comparison, I also took the same image with my phone: Having said all this, what I am about to say might seem obvious but I think this film needs to be overexposed when in low light conditions to get the most out of it. Take your adventures to greater heights than ever before with a unique extended 100-400 ISO range and fine cinestyle grain structure. This would explain why my cloudy shots at EI 200 look good to me, but shooting EI 200 on a sunny day seems overexposed. A deeper look into projects created by yours truly and members of the analogue photography community. It does, however, give this kind of faded sepia look which can definitely be interesting. This specialized film is known for its distinct stark and muted colors and tones with a moody desaturated look. Surprisingly, I much prefer the EI 400 shot because of the grungier contrast and colors. Perhaps the most normal one compared with the other loochromes, this film produces desaturated high contrast images. Filled with Fantastic Film: the Lomography LomoChrome Metropolis ISO 100-400 Film gives your shots a unique look with desaturated tones and enhanced contrasts. Lomography has unveiled LomoChrome Metropolis, a product the company claims is the first color film stock to be offered in 35mm, 120, 110, and 16mm options in more than five years. I can’t honestly say I’ve ever been a fan of Lomography products but your tests here make me want to buy some some Metropolis and give it a go. With these three images in mind you can choose what iso you want to shoot and, thanks to its versatility, change mid-roll to adapt to the situation. In their Kickstarter campaign, Lomography showed off a wonderfully desaturated and grungy film that seemed like it came straight out of the 1990s. I picked up my first camera about 10 years ago, through experimenting and research my love for this art kept growing! Have you tried Lomography direct? That is mad. Unsurprisingly considered that this is a film from the lomochrome family, results are quite special. First I started with an automatic digital camera then started using manual settings and lastly going back in time to take on analog photography! © 2020 The Darkroom. The only place I’ve seen it for sale is on eBay.ca. What’s the difference? If you have any hints as to another place that sells it at a reasonable price I’d be open to your suggestions. After a highly successful Kickstarter campaign to raise the production funds, Lomography is now bringing this wonderful new 35mmfilm to market! 6 watching. At first, I was not sure what to think. The Metropolis is Lomography’s newest version of LomoChrome film. EMULSIVE is bringing the photographic community and industry together, one Community Interview at a time. Then again, my initial choice in subject matter, dogs in halloween costumes, may not have been the best match for Metropolis. I love the film in 120, not too sure now on 35mm. No Lomography specialty film is complete without bracketing the roll at different speeds. It has amazing exposure latitude which allows you to shoot it from 100-400 ISO. However, at the time, I did not have the money to back the project so I had to wait for its official release to get hold of it. You can submit a maximum of 10 photos per time. Thank you for this review. As both a 90s kid and a film photography enthusiast I was ecstatic to see Lomography’s announcement. Here are a few side-by-side comparisons between my iPhone and the Metropolis film: You can clearly see the desaturation, and the almost sepia look the roll gives when shot at EI 400. For this review, I shot three rolls of Metropolis, two in 120 format using my Bronica ETRSI and one roll of 35mm in my Leica M3. Comparing Fujifilm NEOPAN 100 ACROS II to original ACROS. Indeed, if the effect is similar to LomoChrome Purple, it reacts depending on the light coming in not only exposure. Analogue Film with Unmatched Flexibility Available in 35 mm, 120, 110 and 16 mm formats, LomoChrome Metropolis promises to bring a new perspective to every corner of the analogue world. Free shipping. LomoChrome Metropolis is developed using C-41 chemicals. The Metropolis has a milder color effect, making it more of an everyday film. View all photographs taken by EMULSIVE on 110 format film. From this first roll, I got some very different results depending on the lighting conditions (which would definitely make sense). Once you're done shooting, remove the film and you're all ready to re-load for I really appreciated shooting this stock in low light conditions because as it is desaturated, I find that the results are more interesting than normal color negative film. Compared to LomoChrome Purple the ISO setting does not seem to affect the “Metropolis effect”. I decided to shoot it in an approximate Sunny 16 way during a trip to the Netherlands, taking advantage of the exposure latitude of this stock. Uniquely creative yet highly convenient, the LomoChrome Metropolis Simple Use Film Camera from Lomography is a simple-to-use film camera pre-loaded with a 27-exposure roll of LomoChrome Metropolis 100-400 film. Also, don’t let the “Chrome” suffix disturb you: LomoChrome Metropolis is as a color negative film and uses the regular C-41 process. Every single film stock still made today – Part 4: Kodak to Maco Direct (v4), Blind film review #01: Fuji Natura 1600 vs Kodak Portra 800 vs Lomography Color Negative 800 (35mm), I bought a Leica M3: Everything I need and nothing more, 5 Frames... Of Rollei Infrared 400 film somewhere in Northern Michigan (35mm Format / EI 25 / Nikon F3HP + Nikkor 24mm f 2.8 AI-S) - by Michael Hertz, New M-mount lens from Lomography: The Atoll Ultra-Wide 17mm f/2.8 Art Lens, Add to queue: Interviewing Borut Peterlin, A complete guide to the Mamiya RZ67, part three: lenses, filters and accessories, Versatile: Can be shot anywhere between EI 100 and 400. I find it extremely beautiful and I believe it can definitely be seen as a “normal” color negative film rather than a specialty Lomography (film if you don’t consider the price point(. I have not tried it myself and will not speak of this in this article but if this experience intrigues you, I’m sure EM would be glad to get your feedback! It makes the film much more versatile, and makes it less extravagant, less like LomoChrome Purple which some people don’t shoot regularly because it is too special. Metropolis desaturates colors, mutes tones and adds a … To Lomography, film is the foundation — or metropolis — of photography. Experimentation plays a huge part in film photography – it’s baked right into the medium. The box for LomoChrome Metropolis indicates a film speed ranging from ISO 100 to 400. The first new color negative film in over 5 years. The new Metropolis film certainly boast saturated colours like the CN100 or the old slide films intended for cross processing; the examples in Lomography’s Kickstarter campaign had a muted, metallic feel, the colours toned down and restrained.